All style and no substance, Hollywood’s superfluous remake of a cerebral anime classic fails to quell valid concerns of whitewashing.
Created in 1989 by writer/artist Masamune Shirow, Ghost in the Shell was a popular cyberpunk manga which has spawned countless media adaptations, ranging from video games, animated television series and feature-length films. Though the different incarnations of the Ghost in the Shell property have varied in tone and story, one constant has always remained – protagonist Major Motoko Kusanagi. Deadly as she is beautiful, this Japanese cyborg law enforcement agent who commands a counter cyberterrorism task force was ripe with big-budgeted Hollywood potential.
Well, in theory at least.
A live-action adaptation of Ghost in the Shell certainly had all the makings of being a critical and commercial success – myriad action sequences, timely philosophical themes, a visually arresting setting and a compelling ass-kicking female leading character. Instead, the 2017 Rupert Sander’s directed Ghost in the Shell serves as a sad – albeit pretty to look at – reminder of Hollywood’s disgraceful tradition of marginalizing Asians and Asian-Americans.
(Warning: Spoilers below)