‘Killers’ invade: Indonesian-Japanese co-produced film added to Japan CUTS 2014 lineup

Already diverse and eclectic, the 2014 Japan CUTS film festival in New York City (which begins July 10th through the 20th) has recently added the psychological-thriller Killers to its lineup.

Co-produced by Japanese film studio Nikkatsu and the Indonesian Guerilla Merah-Films, Killers follows the exploits of a Japanese serial killer named Nomura (played by Kazuki Kitamura) who uploads footage of his tortures and murders onto the internet. Nomura’s snuff films fascinate an Indonesian journalist named Bayu (played by Oka Antara), who in turn begins to kill and upload his murderous acts onto the internet as well. Nomura soon becomes aware of Bayu’s work, leading to a dark and twisted confrontation between both men.

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Japan CUTS 2014 unsheathes a lineup of cutting edge films

 

Photo courtesy of 2013 “Why Don’t You Play in Hell?” film partners

Photo courtesy of 2013 Why Don’t You Play in Hell? film partners

Fans of Japanese film, clear your schedules for July 10-20 as you’ll undoubtedly want to attend the 8th annual Japan CUTS film festival held at the Japan Society in New York City.

For 10 days, the Japan Society will become a mecca for Japanese cinephiles as the Japan CUTS 2014 festival will screen 27 films from the Land of the Rising Sun – including works by such notable Japanese directors as Sion Sono, Takashi Miike, Katsuhito Ishii and Hideo Nakata.

Though often difficult to assemble, Programmer for Japan CUTS 2014 Joel Neville Anderson stressed the importance of having a diverse collection of films presented at the festival.

“Curating festivals of a national cinema is necessarily problematic, swinging between exhaustive cultural surveys or limited selections of titles with international arthouse appeal, between a lineup that is representative and one that is exceptional,” Anderson said in a press release issued by Japan Society.

Anderson said the “tactic” at Japan CUTS has always been to place a heavy emphasis on “diversity” in the films they curate.

“This is especially so this year,” he said.

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