Takashi Miike to be honored with 2014 Maverick Director Award at Rome Film Festival

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Prolific Japanese filmmaker Takashi Miike will be the recipient of the 2014 Maverick Director Award at the upcoming Rome Film Festival, event organizers announced today.

The Maverick Director Award, the festival’s website states, “is dedicated to filmmakers who have contributed to the invention of a new, original, and unconventional cinema.”

Miike was already schedule to appear at the festival, which runs from Oct. 16-25 in Rome, Italy, to world-premiere his latest film, As the Gods Will (Kamisama no iutoori).

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‘Killers’ invade: Indonesian-Japanese co-produced film added to Japan CUTS 2014 lineup

Already diverse and eclectic, the 2014 Japan CUTS film festival in New York City (which begins July 10th through the 20th) has recently added the psychological-thriller Killers to its lineup.

Co-produced by Japanese film studio Nikkatsu and the Indonesian Guerilla Merah-Films, Killers follows the exploits of a Japanese serial killer named Nomura (played by Kazuki Kitamura) who uploads footage of his tortures and murders onto the internet. Nomura’s snuff films fascinate an Indonesian journalist named Bayu (played by Oka Antara), who in turn begins to kill and upload his murderous acts onto the internet as well. Nomura soon becomes aware of Bayu’s work, leading to a dark and twisted confrontation between both men.

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Japan CUTS 2014 unsheathes a lineup of cutting edge films

 

Photo courtesy of 2013 “Why Don’t You Play in Hell?” film partners

Photo courtesy of 2013 “Why Don’t You Play in Hell?” film partners

Fans of Japanese film, clear your schedules for July 10-20 as you’ll undoubtedly want to attend the 8th annual Japan CUTS film festival held at the Japan Society in New York City.

For 10 days, the Japan Society will become a mecca for Japanese cinephiles as the Japan CUTS 2014 festival will screen 27 films from the Land of the Rising Sun – including works by such notable Japanese directors as Sion Sono, Takashi Miike, Katsuhito Ishii and Hideo Nakata.

Though often difficult to assemble, Programmer for Japan CUTS 2014 Joel Neville Anderson stressed the importance of having a diverse collection of films presented at the festival.

“Curating festivals of a national cinema is necessarily problematic, swinging between exhaustive cultural surveys or limited selections of titles with international arthouse appeal, between a lineup that is representative and one that is exceptional,” Anderson said in a press release issued by Japan Society.

Anderson said the “tactic” at Japan CUTS has always been to place a heavy emphasis on “diversity” in the films they curate.

“This is especially so this year,” he said.

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Film lineup for 16th annual Boston Underground Film Festival has been announced

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The fine folks at the Boston Underground Film Festival have announced the lineup for their 16th annual event (BUFF16) and fans of Asian underground cinema are in for several treats.

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‘The Wind Rises’ Review: Miyazaki’s last film before retirement mostly soars

Rating: PG-13

Length: 126 minutes

Director: Hayao Miyazaki 

Stars: 

 Jiro Horikoshi – Joseph Gordon-Levitt (voice)

Honjo – John Krasinki (voice)

Naoko Satomi – Emily Blunt (voice)

The animated film The Wind Rises is a monumental moment in world cinema, as it is not only legendary Japanese animated filmmaker Hayao Miyzaki at the top of his game, but also it being his last film before retirement. Interestingly, The Wind Rises is also his most provocative.

The film has caused a bit of controversy in Miyazaki’s native land as it is a fictionalized WWII-era biography of Jiro Horikoshi (voiced by Joseph Gordon-Levitt), the aeronautical engineer who designed the Mitsubishi A6M Zero fighter plane – an aircraft that would be used by the Japanese Imperial Navy to attack Pearl Harbor.

The Wind Rises, which harkens back to the sweeping Hollywood epics of yore, tells the tale of the starry-eyed Horikoshi, whose dreams of one day building elegant and beautiful airplanes come true – a reality that will inflict heartache upon not only himself but the whole world.

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Apocalypse Now: The back-story to ‘Snowpiercer’ has been revealed in an animated short

Just how did the passengers of the Snowpiercer – a colossal train that never stops running – wind-up aboard their new home? Well, according to the animated prequel to Bong Joon-ho’s Snowpiercer that has recently surfaced online, they fought tooth and nail to procure their seats.

With a visual storytelling style similar to that of a motion comic, the 4-minute animated prequel does a serviceable job in succinctly telling the back-story to the upcoming Sci-Fi film (it opens in South Korea on August 1), and will give those who view it a better understanding of the film’s world.

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Takashi Miike + Tom Hardy = ‘The Outsider’

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Oh wow…

Oh wow, indeed.

The magnificent English actor Tom Hardy (The Dark Knight Rises, Bronson, Inception, The Warrior and Tinker Tailor Soldier Spy) and controversial Japanese director Takashi Miike (the director of such great Japanese films such as : Audition, The Bird People of China, Ichi the Killer, The Great Yokai War and 13 Assassins) are rumored to be teaming up for the film The Outsider. 

Taking place in the aftermath of WWII, The Outsider tells the story of an American G.I. who, after becoming an American prisoner of war, later works his way up into the ranks of the Yakuza (the Japanese version of organized crime).

How can the prospect of such a film not send shivers up the spines of film enthusiasts?

Hardy, when need be, can easily play the role of a lovable and menacing brute, (Bane from The Dark Knight Rises) is in talks to be directed by one of the best cinematic agitators of all time, Takashi Miike.

Based on an original story idea by John Linson (Executive Producer of Sons of Anarchy), The Outsider was scripted by Andrew Baldwin.

Please leave your comments below as I’d love to hear people’s opinions on this film!

Why We Watch (Part 4) Conclusion – Let’s wrap up on what we learned with a little podcast

Above I’ve embedded a podcast where I discuss what I’ve learned by asking my fellow film bloggers why we do what we do. I want to thank the blogs http://www.genkinahito.wordpress.com and http://www.scumcinema.com for discussing their passion in global cinema with me and for telling me “Why we watch.”

Why We Watch: A Lost in the Miso Exclusive (Part 3) – Chatting with S.C.U.M. Cinema’s Monkey Fist, Topo Sanchez and Mountain Monkey

The Why We Watch interviews conclude with a chat with Monkey Fist, Topo Sanchez and Mountain Monkey – the creators of the blog and film society S.C.U.M. Cinema.

Editor’s Note: I conducted my interview with these three men via email. Some questions were answered individually and some answered as a whole. “S.C.U.M. (all)” denotes that the answer was given by all three interviewees.

First conceived in 2007 by Monkey Fist as simply S.C.U.M., S.C.U.M.’s main objective was to hold “regular public screenings of non-mainstream films for like-minded folks in Singapore.” Due to issues with “obtaining screening rights from copyright holders,” S.C.U.M. would collapse but would eventually resurface as S.C.U.M. Cinema and this time, Monkey Fist had his friends Mountain Monkey and Topo Sanchez by his side. Together, these three men have created a blog where they review cult films from around the world, new and old, and continue to work towards their ultimate goal of holding film screenings in Singapore.

I talked to them about why we watch films that are, as they say, “weird and the bizarre.” The answers they gave are interesting and quite humorous. They are undoubtedly extremely knowledgeable in cult film and I walked away from the interview with at least ten movies I’ve never heard of before that  I need to get copies of and watch!

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Why We Watch: A Lost in the Miso Exclusive (Part 2) – An interview with Genkinahito’s Jason M.

I begin my series of Why We Watch interviews with Jason M. from Genkinahito.

Jason, a blogger since 2009, tells of how he first get a taste for foreign films (spoiler: a heaping helping of Hong Kong Jackie Chan films and the diverse programming on UK television gave him the bug for global cinema) and what, in his opinion, are the best foreign film distribution companies at the moment. Jason also gives his opinion on the ethics of fan subtitled movies and whether he thinks his studying of the Japanese language has helped him understand Japanese films on a deeper level.

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